i enjoyed the brevity of writing just 3 lines *
i enjoyed the staccato rhythm
like the sound of hail wind driven on to the windows 

watercolours are amazing
a few leaves picked up on a few walks
the process is alluring & there's a certain amount of serendipity in the outcome

i wonder will i ever be able to pull 'this' off
will i ever be able to bring 'this' together 
to be honest, i don't even know what 'this' is

'the ideas, the visions, the dreams of what's possible would not be in you if they were not for you. they are in you for a reason & they are yours to shape & mould & build & play with & tweak & adapt & iterate on' Tiffany Han**

in the end does it really matter
i'm gonna say no, not to the outside world
but to the voice inside
​it's vital

​xx Sal

Kawakawa dreams of a time when the forest returns

​she is patient
she holds her ground
& she waits

she provides homes for insects
she feeds birds who visit her
& in return they bring her other’s seeds

which fall to the ground beneath her

​seedlings grow
under her & around her
​over her & above her

so she recedes
becomes the forest floor
nourishing as she yields

& in a clearing at the edge of the forest a tiny black seed knows it’s time . . .

I have donated Kawakawa Dreaming to an Art & Creative Auction which is raising money to be donated to the Red Cross Australia Fire Relief fund.

The auction is being organised by Ruth Ribeaucourt & will be held on Instagram at Ruth's account @Ruthribeaucourt. I’m going to suggest you follow this link to her page for the latest event update.
The auction is scheduled to run between Jan 10th to Jan 12th 2020.
​
Currently, approximately 250 creatives, from 25 countries, have donated works or services.

It feels good to part of a global event which has the potential to make a difference on the ground (pun intended) &, also to know Kawakawa's dreams can come true.

Please support in what ever way you able

Arohanui
Sal x 

I love these as none of the black is super black, which looks pleasing to me on the undyed fabrics. 

I decided to test my heat setting process by over-dyeing some of my black monoprints in a harakeke pod dye bath.
I also popped a few whenu of muka in too.

Love, love, love these - perhaps mostly because it worked !

So there it is:
Changing paints, changing fabrics, creating layers all whilst preserving the detail of the leaves.
Overdyeing, or is it underdyeing, with natural dye.
​White on black, grey on black, black on white, black on harakeke pod brown.

It's been a fabulous summer following my whims & now, at the end of March, I have washed & ironed all the small squares of fabric I've been using over the past few months.
Some I used to filter the inks I made & some are the result of these last explorations.
I literally have a couch covered in 30cm squares of different browns, all obtained from harakeke pods - no wonder we can't find one word to describe them all.
Some look slightly pink, some look slightly green, there are definitely a few that hover a little too close to beige for comfort & some are a rich warm harakeke brown.

Tino nui te mihi aroha ki te pā harakeke.
​He taonga tuku iho.

Sal x
​