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are we ok ?

20/10/2020

 
down by the creek
Porokaiwhiri, pigeonwood, Hedycarya arborea flowers (male) heavenly scented
Mouku, hen & chickens fern, Asplenium bulbiferum
Pīwakawaka on her newly built nest
creating with materials that you grow or gather means you slow down
you work with the seasons
you wait, you watch & you listen

the more you wait the more patient you become
the more you watch the more you see
and the more you listen the more your world will tell you

it is profound

and on those days when the world seems so fucked up i want to scream
i walk in amongst our trees & know that our little world is doing ok
which means i’m ok too

Nature Through New Eyes : August 2020

22/8/2020

 
DOC NZ* is running a competition on Instagram & to enter you need to post a macro photo of anything 'nature' & use the appropriate hashtag & tag them. Simple ? Yes simple !

The competition closes Sunday 23rd August 2020 & it’ll be really interesting to see what comes of it.
Most of the 2.4k posts that I’ve seen so far are photos taken by professional photographers - which is fine & understandable, especially as they have all the gear ** but what part of ‘macro’ do they not understand ? 

I don’t even know why it irritates me so much - but it does.
I think it’s the arrogance & superficiality of it all. 
The hashtag is flooded with pretty pictures; mostly birds & flowers.
They're big photos of big subjects with amazing definition & super saturated colours.
Very few are subtle, most are boringly recognisable.
Very few make you wonder.
Very few make you want to look more closely.
Very few are anything other than pretty pictures.
Very few of the photographers know the name of the thing they’re photographing - some even make stupid jokes about their beautiful subjects.
Very few are macro photos.

All my whingeing aside I have entered too.
​I have posted a couple of photos using the hashtags & the appropriate @mention.
If I get a lovely pic tomorrow, on the last day, maybe I'll post that too.
I love taking photos & I love looking with new eyes.
It's so much fun to see what you can see. 

To add insult to injury (of my ego!) the photo I posted today seems to be blurry on IG hahahaha
It's still a cool photo & is accompanied with a typical Sal style epistle.
Just to make a point.
You can only look with new eyes if you learn to & you have to want to see with your new eyes.

To be fair it's probably what DOC is trying to achieve too.

​Take care my friends - it seems this Covid19 thing is here for the long haul. 
Sal x

​ps here's a link to my IG post 
*DOC = Department of Conservation:Te Papa Atawhai
** which makes me wonder why on earth they would enter a competition to win camera gear anyway . . .

Listening to the Land : Spirals

27/11/2019

 
Spirals, it seems, are a universal symbol & are represented in all our creative practices & although we each diversified our media for this exhibition, interestingly, we chose to create our spirals in what could be regarded as our 'signature media & technique'.


For Isla the tree ferns welcomed her to Aotearoa their unfurling fronds of promise representing 'a forest of new beginnings'. Her own spirals appear as natural fibres spun on to a wire base which hang connected loosely enough to move gently in a breeze. She describes spirals as the 'perfect expression of perpetual movement, in which life both changes & stays the same'.

For Hugh the symbol has come to represent 'listening to the Land' & his is a double spiral, a continuous path without a beginning or an end, carved into the natural surface of 2 very different stones. One a large floor based piece & one smaller mountain shaped piece. Both have come home & now lie in our landscape.

For me I have chosen to represent the natural cycle as a spiral to allow for the passage of time inherent in the cycle. The spiral is a galaxy - at any one time both enormous & minute. I have woven muka through cotton thread to create these forms.
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    About
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    Hi, I'm Sally
    I'm a fibre artist who loves botanicals - especially NZ native plants
    you can find me on 
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