We both have strange thumbs which are prone to subluxing
We both enjoy pottering around & we both prefer old comfy clothes to new ones.
His jeans basically fell apart.
I took the opportunity to repair them.
We're both happy about that.
. . . or shall i just call it 'jeanetic modification' Dad & I have a reasonable amount in common - no great surprise there.
We both have strange thumbs which are prone to subluxing We both enjoy pottering around & we both prefer old comfy clothes to new ones. His jeans basically fell apart. I took the opportunity to repair them. We're both happy about that. January weather was amazing & we spent time most of our days just hanging out & going to the beach to swim which was superb & is really all I ever want to do in summer anyway. By the time February arrived I was well rested & ready to do some explorations into using NZ native plants for dyeing fabric & fibre. The harakeke seed pods were at their best for harvesting for making a dye bath too & I was lucky enough to have my friend, Isla, walk me thru the process, which is very easy but it is a process which takes a few days. Here's a link to a post on Isla's website which outlines the process we used; natural-dyeing-with-harakeke-seed-pods In the dye bath I made from the pods I had harvested I dyed a few lengths of muka, 3xDMC cotton embroidery threads of various thickness, a 60cm square of calico, a 30cm square of cotton drill & various sized rectangles of cotton drill fabric I had cut out with a view to sewing a purl soho boxy tee. It seems the harakeke pods are high in tannins so no surprise with the colours the cottons & cotton fabrics came out but it was lovely to see the variation in the colours of the muka fibres. Rather than dyeing a single large piece of fabric which would have been awkward to fit in my dye pot, I pre-cut the pieces of fabric for my sewing. What I hadn't considered was the extra shrinkage of the fabric courtesy of simmering for an hour in hot water. I had already washed & dried the fabric BUT I do cold washes & line dry ! What a bastard trap for rookies ! I sewed up my top anyway & fortunately the pattern makes a generous size garment so the only problem area is the armhole depth which is a little too tight to be comfortable. But I have a plan ! I think I'll open that seam, on each side, & insert a gusset just to give me a bit more space. And now, finally, we get to the point of why I wanted to sew this particular top. It's all about the bottom panel. Which is a separate piece. A beautifully proportioned rectangle of fabric which lends itself to embellishment. I was watching Sashiko Stitching taught by Lisa Solomon on Creativebug & in one part of the class she is wearing a top she has made with a sashiko embroidered bottom. I had the fabric : I had the threads : I had the pattern I wanted to embroider & now I have a top which is the memory piece of my very 1st foray into dyeing with harakeke seed pods.
We used to sew a lot when we were kids, it was one of our school subjects in 'home ec'. If I remember correctly it was the other half of the year opposite cooking. Our mother was a great sewer & our eldest sister really excelled at garment making. Me, well I enjoyed sewing & was technically very proficient but really couldn't have given a rat's-razoo about what I was wearing so only did what I had to do to pass the assessments. Yep, I'm one of those kids who submitted the same garment 2 years in a row to 2 different teachers. It was nice. It was a green wrap-around skirt with a buttonhole in the waist band for the tie & top stitching . . . got A+ for it both times actually. Anyway, for most of my adult life I have only intermittently sewn & even then not garments. Probably as a result of being bombarded on social media by loads of beautiful creations people are making for themselves I decide I want to sew again only THIS time I want to sew garments that I know will fit me. As much as I really want to support indie pattern designers the reality is I can't afford to buy patterns & I know I have the capabilities to learn how to draft pattens myself, for myself. Enter Cal Patch & creativebug. I have been enrolled with creativebug for 2 years & have renewed for a 3rd year. Honestly, the classes I've been taking in the last 6 month since I renewed are worth the subscription alone. Of course I've researched it to the nth degree (that's just me) & watched the classes about a gazillion times, as I did with learning the Alabama Chanin way I gathered all my supplies together & dedicated a weekend to learning how to draft a master pattern for a dress, based on MY measurements (now I actually know what being 'short-waisted' means), cut out & sewed a muslin then went on to modify the base pattern, cut out & sew a hoodie. And I know for a fact, when I first tried the muslin on & later the hoodie, the words I uttered were '#@*! me this really works' . . . then I think I probably danced around wearing them for a ridiculously long time. Same rules apply as with everything else we learn:
you have nothing to loose use the resources you have available, they ARE good enough watch, listen, learn (repeat) be patient take your time & whatever else measure, measure & measure again before you cut that fabric ! |
Hi, I'm Sally
I'm a fibre artist who loves botanicals - especially NZ native plants |